2023/2024シーズンのハイライトには、世界的作曲家ヨハン・デ・メイ指揮/スロヴェニア国防軍オーケストラとの共演、リュブリャナでのリサイタル、浜離宮朝日ホール主催デュオ・リサイタルなどが挙げられる。独奏、室内楽で幅広い演奏活動を展開する傍ら、フォーレ「レクイエム」(全曲)を始めとする多くの作品のハープ編曲・実演に加え、シューマン「子供の情景」(全曲)、ラフマニノフ「前奏曲」(鐘)、「ヴォカリーズ」(原調)などの作品もハープで演奏、ハープの埋もれた作品の発掘にも注力している。2022年には世界的バレリーナ、スヴェトラーナ・ザハロワと「瀕死の白鳥」で共演。2023年、自作曲作品「イギリス国歌の主題による変奏曲」を彬子女王殿下ご臨席のもと御前演奏。アルバムはキングインターナショナルよりこれまでに3枚をリリース。音楽・絵画・文学を主軸とした学際的な研究をライフワークとし、国立新美術館/大阪中之島美術館「テート美術館展《光 ― ターナー、印象派から現代へ》」を含む大型展覧会の公式演奏会の企画制作、音楽之友社Webマガジン「ONTOMO」へのコラム寄稿、東邦音楽大学エクステンションセンター講師など、活動は多岐にわたる。
Megumi Nakamura has made her career as a solo harpist in Japan and overseas. Impassioned and dedicated to widen the repertoire for her instrument, she has made a wide range of arrangements for harp, including “Requiem” (the whole work) by Faure, “Prelude” (op.3-2) and “Vocalise” (in the original key) by Rachmaninoff, in addition to introducing less-spotlighted works originally written for it. In October 2023 she performed with the Slovenian Armed Forces Orchestra under the baton of the world-renowned composer, maestro Johan de Meij, in Ljubljana, where she also gave a recital. Since 2022 she has appeared annually at Tokyo’s prestigious Hamarikyu Asahi Hall to give recitals, where she will Japan-premiere “Rondo” by Burgmüller originally written for harp. In 2022 she performed “The Dying Swan” with the world-renowned ballerina Svetlana Zakharova. In 2023 she performed her own composition “Variations on a Theme of God Save the King” for Her Imperial Highness Princess Akiko of Mikasa. Having a multi-faceted approach towards music making based on long-running and profound research, she has co-worked with some of the major museums in Japan to make official concerts tied to their exhibitions, such as the Tate Collection Exhibition hosted by the National Art Centre, Tokyo. As for the recording she has released 3 albums from King International, one of the major labels in Japan, to critical acclaim.